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French Voice Actor for Animation & Cartoons

Trained as an actor, I lend my voice to animated characters: series, short films, web cartoons and children's content, in French and in English. The voice of François in Angel Hare, I work equally in pre-lay, before the animation, and in post-sync to finished picture.

My background as an actor (acting mentorship, Estill Voice Training, dubbing training with ACTRA) helps me make clean choices: an age, a social background, a rhythm, an intention. In animation, the character has to exist from the very first line — before it has even been drawn.

Portrait de Jean-François Raynaud en train d'enregistrer en studio

Character Range

Demo excerpts, 15 to 20 seconds each

Eager hero FR

Dependable, brave, bright

00:00 / 00:14

Mischievous plushie FR

Assertive, stubborn, conspiratorial

00:00 / 00:29

Wary grandfather FR

Steady, cautious, tender

00:00 / 00:13

Evil cartoon king FR

Vain, hot-tempered, impulsive

00:00 / 00:18

Overexcited parrot FR

Chatty, playful, joyful

00:00 / 00:12

Panicked hotel doorman EN

Ally, jittery, effusive

00:00 / 00:32

Kindly old tree FR

Guide, calm, aged, wise

00:00 / 00:18

Brooding prince FR

Wounded, noble, vulnerable

00:00 / 00:06

Pompous marquis EN

Eccentric, arrogant, melodramatic

00:00 / 00:16
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Before or After the Picture

In animation, the voice comes either before or after the drawing.

In pre-lay, I record to a storyboard or to the script alone. The performance is free: it is what gives the animation its tempo.

In post-sync, the picture already exists and the constraint is reversed. You have to fit mouth movements written for someone else, hold the exact length of the shot, and carry the intention in whatever room is left. I work to timecode, and a rythmo band holds no fear for me.

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Several Characters in the Same Series

Giving several characters to the same actor is ordinary practice in animation.

On one condition: that the voices don't sound alike.

I build each role on separable choices: age, personal history, temperament, physicality, delivery. On one game I held five roles within the same faction — infantry, sapper, surgeon, general, priest — each with its own disposition. The principle is identical in a series.

François in Angel Hare — a First Collaboration

Behind the scenes of the recording

The Mangan sisters, creators of the web cartoon Angel Hare, approached me to play François, a new character making his debut in the series. What made the role distinctive was performing in English while keeping a natural French accent.

Angel Hare is a family series blending mystery and suspense, with darker undertones and a reassuring note at the close of each story. François is the outgoing, easy-going assistant to a nervous, solitary guardian angel. He brings warm, sociable energy to their unlikely pairing.

For his debut in the Christmas special, I looked for a voice that sounds naturally French without letting the accent become the character's defining feature, while keeping François warm, relaxed and immediately likeable. The session was recorded in pre-lay.

I was delighted to join the world of Angel Hare and help bring François to life for his first appearance on screen.

Practical Information

SYNC

Pre-lay or post-sync to picture. Timecode and rythmo band.

FILES

Split line by line, named to your convention.

FORMATS

WAV 48 kHz / 24-bit by default, dry or processed takes.

CONFIDENTIALITY

NDAs signed without fuss, embargoed projects welcome.

RECORDING

File delivery, or travel to your studio in mainland France.

BILLING

Per session or per word count.

RETAKES

Minor fixes included after delivery.

LANGUAGES

Native French, English and Japanese with a light French accent.

Rates, turnaround and general terms in the FAQ on the voice-over page.

Two neighbouring registers: video game characters and commercial voice-over.

Your Characters Deserve a Voice

Hero, sidekick, creature, villain: tell me about your project.

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